D6BASS

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D6Bass

I'm a working session bass player, this channel is where I'm gonna show the stuff I'm working on!

D6Bass
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."[1] Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars. Bing, Bing, Bing! is a 1995 album by jazz guitarist Charlie Hunter. This was his first album for the Blue Note Records and features his eight-string guitar. The cover is an homage to Horace Parlan's 1960 album, Speakin' My Piece. The neon sign, 500 Club, is a bar in San Francisco's Mission District, a few blocks from the Elbo Room nightclub where the trio made a name for themselves. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Charlie Hunter Trio / Fistful of Haggis
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."[1] Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars. Bing, Bing, Bing! is a 1995 album by jazz guitarist Charlie Hunter. This was his first album for the Blue Note Records and features his eight-string guitar. The cover is an homage to Horace Parlan's 1960 album, Speakin' My Piece. The neon sign, 500 Club, is a bar in San Francisco's Mission District, a few blocks from the Elbo Room nightclub where the trio made a name for themselves. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Charlie Hunter Trio / Fistful of Haggis
Back squats 80kg 4x5 reps #squats #fullrom #gym #gyminspiration
Back squats 80kg 4×5 reps
Louis Maxwell Cole is an American musician, singer-songwriter, video producer, and music video director. He is best known as the co-founder of the independent electronic jazz-funk duo Knower, along with Genevieve Artadi. He is also speculated to be a member of the avant-garde musical duo Clown Core. As a solo artist, he has released five studio albums; his fourth album, Quality Over Opinion (2022), was nominated for the Grammy Award for Best Alternative Jazz Album. Cole is a classically-trained jazz musician and multi-instrumentalist who plays drums, keyboards, guitar and bass, sings, and produces his material.[16][3][15] His work contains elements from a diverse range of music genres such as jazz, funk, pop, avant-garde, electronic, lo-fi (early) and grindcore (with Clown Core).[3][5][1] Cole is a "bedroom" musician who does not like working in a professional recording studio.[17] He practices drums for four hours a day, and writes music for seven hours a day. Cole feels his mission is to write his own favorite music, and he "never [tries] to make [his] music accessible to anyone."[3] He is known for using strange and counterintuitive chord progressions.[6] His lyrics often include humor and vulgarity, and his music features home-made videos. Cole is more creative during the early hours of the day, and documents this phenomenon on his song, "The Weird Part of the Night". ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Louis Cole / F- It Up #bassguitar #funkybassplayer
Sumo Deadlifts / 100kg #sumodeadlift #gymmotivation
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982 as the second single from their fifth album, Combat Rock. It reached number eight on the Billboard Hot 100 chart in the US (their only top 10 single in that country) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart.[4] The music for "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with.[5][6] Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself.[5][7] This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer–Mick Jones songwriting partnership.[7] Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creation, stating that they felt the instrumental track was essentially complete.[7] From this point, relatively minor overdubs were added, such as guitars and percussion. However, Strummer was not impressed by the page of suggested lyrics that Headon gave him.[5] According to Clash guitar technician Digby Cleaver, they were "a soppy set of lyrics about how much he missed his girlfriend".[5] "Strummer just took one look at these words and said, 'How incredibly interesting!', screwed the piece of paper into a ball and chucked it backwards over his head."[5] Strummer had been developing a set of lyrical ideas that he was looking to match with an appropriate tune. Before hearing Headon's music, Strummer had already come up with the phrases "rock the casbah" and "you'll have to let that raga drop", as lyrical ideas that he was considering for future songs.[8][9] After hearing Headon's music, Strummer went into the studio's bathroom and wrote lyrics to match the song's melody.[6][7] The version of the song on Combat Rock, as well as many other Clash compilations, features an electronic sound effect beginning at the 1:52-minute point of the song. This noise is a monophonic version of the song "Dixie". The sound effect source was generated by the alarm from a digital wristwatch that Mick Jones owned, and was intentionally added to the recording by Jones.[7] Algerian rock singer Rachid Taha believes that an early demo tape of his, which he gave to The Clash in 1981, helped inspire the original song. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
The Clash / Rock The Casbah SLAP BASS!!!
T-Square (formerly known as The Square), stylized in all-uppercase T-SQUARE, is a Japanese jazz fusion band formed in 1976.[1] They became famous in the late 1970s and early 1980s along with other Japanese jazz bands.[2] They are known for songs such as "Truth",[3] "Japanese Soul Brothers",[4] "Takarajima",[5] and "Omens of Love",[6] among others. During the first years simply The SQUARE was printed on the frontsides of their albums.[7] After the renaming of the band to T-Square the imprint changed to T-SQUARE (all in Capital letters) and their typical logo became a capital letter T printed over a red square.[8] The logo has got modified several times, reflecting the changing band names such as T-Square alpha (where an α sign got added to the logo[9]), T-Square plus (where the text "plus" was added centered next to the T in smaller letters[10]).[11] "Truth" was used as the theme for Fuji Television's Formula One coverage from 1987 to 1998 and starting in 2012.[12][13] Special arrangements of this song were used as the theme for Japan's F1 2001 to 2006.[note 1] The band has won, all told, 12 Japan Gold Disc Awards. In the 80s, "SPORTS",[17] "Truth",[18] "Yes, No",[19] and even their "F1 Grand Prix" compilation album won Gold Discs in the Jazz-Fusion category.[20] In the 90s, "Natural",[21] "Impressive",[22] "Human",[23] "Natsu no Wakusei",[24] "B.C. A.D."[25] and "Gravity" all won Gold Discs.[26] After more than two decades without Gold Discs, they've recently won back-to-back for 2021's "FLY! FLY! FLY!"[27] and 2022's "WISH" as part of the Instrumental Album of the Year category. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
T-Square / Love's Still Burnin' #bassguitar #funkybassplayer
"Mamma Mia" is a song by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled ABBA (1975). The song was released in September 1975 as its sixth single. It tells the story of the narrator's on-again, off-again relationship with a lover who is repeatedly unfaithful to her. The song's name is derived from Italian and literally translates as "my mother", but is used as an interjection in situations of surprise, anguish, or excitement. The song was ABBA's first number one in the UK since "Waterloo" in 1974. The distinctive sound at the start of the song is the marimba.[2] According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its "tick tock" rhythm was perfect for the track.[3] "Mamma Mia" was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. It was one of four songs from the album to have a music video made to promote the album. Initially, however, "Mamma Mia" was never intended for release as a single.[2] Around this time, many artists were recording ABBA songs (such as "Honey, Honey" and "Bang a Boomerang"). ABBA offered "Mamma Mia" to British pop group Brotherhood of Man, who turned it down.[4] "I Do, I Do, I Do, I Do, I Do" topped the Australian charts for three weeks; however, the promo clip for "Mamma Mia" proved the more popular after repeat screenings on Australian television, notably on the show Countdown.[5] ABBA's Australian record company, RCA, asked that "Mamma Mia" be released as a single but Polar Music refused, preferring them to release "SOS" first. However, Stig Anderson agreed to this; "Mamma Mia" was released in Australia in August 1975, where it spent 10 weeks at number one.[2] Cash Box said the single was "an example of [ABBA's] excellent musical taste," stating that the "tune is upbeat, with characteristically varied textures."[6] After this success in Australia, Epic Records in the United Kingdom took notice of ABBA for the first time since their Eurovision Song Contest winner "Waterloo". From then on, Epic began to heavily promote ABBA's singles with the immediate result of "SOS" reaching the Top 10 in the British market, their first hit since "Waterloo". "Mamma Mia" soon followed, reaching number one in the UK Singles Chart in January 1976, the second of ABBA's 18 consecutive Top 10 singles there.[2] Record World said that "the reason [the song is a worldwide smash] should be self-explanatory after just one listen."[7] The B-side for the Australian release of "Mamma Mia" was "Hey, Hey Helen". In most other countries the B-side was the instrumental "Intermezzo Number 1". ABBA's British label Epic selected "Tropical Loveland" as the B-side for the UK release, believing another vocal track, especially one showcasing ABBA in a different musical style, would better promote the parent album.[citation needed] In 2017, Billboard ranked "Mamma Mia" number seven on their list of the 15 greatest ABBA songs,[8] and in 2021, Rolling Stone ranked the song number five on their list of the 25 greatest ABBA songs.[9] As of September 2021, it is ABBA's seventh-biggest song in the UK with 860,000 chart sales (pure sales and digital streams). ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
ABBA / Mamma Mia
Roberta Cleopatra Flack (born February 10, 1937)[2][3] is a retired American singer who topped the Billboard charts with the No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", and "Feel Like Makin' Love". Flack influenced the subgenre of contemporary R&B called quiet storm, and interpreted songs by songwriters such as Leonard Cohen and members of the Beatles.[4] Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: "The First Time Ever I Saw Your Face" won in 1973 and "Killing Me Softly with His Song" won in 1974. ---- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Bluesky : @d6bass.com Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Roberta Flack / Tryin' Times #uprightbass
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YouTube

D6Bass

I'm a working session bass player, this channel is where I'm gonna show the stuff I'm working on!

D6Bass
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."[1] Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars. Bing, Bing, Bing! is a 1995 album by jazz guitarist Charlie Hunter. This was his first album for the Blue Note Records and features his eight-string guitar. The cover is an homage to Horace Parlan's 1960 album, Speakin' My Piece. The neon sign, 500 Club, is a bar in San Francisco's Mission District, a few blocks from the Elbo Room nightclub where the trio made a name for themselves. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Charlie Hunter Trio / Fistful of Haggis
Charlie Hunter (born May 23, 1967) is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven- and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."[1] Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars. Bing, Bing, Bing! is a 1995 album by jazz guitarist Charlie Hunter. This was his first album for the Blue Note Records and features his eight-string guitar. The cover is an homage to Horace Parlan's 1960 album, Speakin' My Piece. The neon sign, 500 Club, is a bar in San Francisco's Mission District, a few blocks from the Elbo Room nightclub where the trio made a name for themselves. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Charlie Hunter Trio / Fistful of Haggis
Back squats 80kg 4x5 reps #squats #fullrom #gym #gyminspiration
Back squats 80kg 4×5 reps
Louis Maxwell Cole is an American musician, singer-songwriter, video producer, and music video director. He is best known as the co-founder of the independent electronic jazz-funk duo Knower, along with Genevieve Artadi. He is also speculated to be a member of the avant-garde musical duo Clown Core. As a solo artist, he has released five studio albums; his fourth album, Quality Over Opinion (2022), was nominated for the Grammy Award for Best Alternative Jazz Album. Cole is a classically-trained jazz musician and multi-instrumentalist who plays drums, keyboards, guitar and bass, sings, and produces his material.[16][3][15] His work contains elements from a diverse range of music genres such as jazz, funk, pop, avant-garde, electronic, lo-fi (early) and grindcore (with Clown Core).[3][5][1] Cole is a "bedroom" musician who does not like working in a professional recording studio.[17] He practices drums for four hours a day, and writes music for seven hours a day. Cole feels his mission is to write his own favorite music, and he "never [tries] to make [his] music accessible to anyone."[3] He is known for using strange and counterintuitive chord progressions.[6] His lyrics often include humor and vulgarity, and his music features home-made videos. Cole is more creative during the early hours of the day, and documents this phenomenon on his song, "The Weird Part of the Night". ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Louis Cole / F- It Up #bassguitar #funkybassplayer
Sumo Deadlifts / 100kg #sumodeadlift #gymmotivation
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982 as the second single from their fifth album, Combat Rock. It reached number eight on the Billboard Hot 100 chart in the US (their only top 10 single in that country) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart.[4] The music for "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with.[5][6] Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself.[5][7] This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer–Mick Jones songwriting partnership.[7] Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creation, stating that they felt the instrumental track was essentially complete.[7] From this point, relatively minor overdubs were added, such as guitars and percussion. However, Strummer was not impressed by the page of suggested lyrics that Headon gave him.[5] According to Clash guitar technician Digby Cleaver, they were "a soppy set of lyrics about how much he missed his girlfriend".[5] "Strummer just took one look at these words and said, 'How incredibly interesting!', screwed the piece of paper into a ball and chucked it backwards over his head."[5] Strummer had been developing a set of lyrical ideas that he was looking to match with an appropriate tune. Before hearing Headon's music, Strummer had already come up with the phrases "rock the casbah" and "you'll have to let that raga drop", as lyrical ideas that he was considering for future songs.[8][9] After hearing Headon's music, Strummer went into the studio's bathroom and wrote lyrics to match the song's melody.[6][7] The version of the song on Combat Rock, as well as many other Clash compilations, features an electronic sound effect beginning at the 1:52-minute point of the song. This noise is a monophonic version of the song "Dixie". The sound effect source was generated by the alarm from a digital wristwatch that Mick Jones owned, and was intentionally added to the recording by Jones.[7] Algerian rock singer Rachid Taha believes that an early demo tape of his, which he gave to The Clash in 1981, helped inspire the original song. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
The Clash / Rock The Casbah SLAP BASS!!!
T-Square (formerly known as The Square), stylized in all-uppercase T-SQUARE, is a Japanese jazz fusion band formed in 1976.[1] They became famous in the late 1970s and early 1980s along with other Japanese jazz bands.[2] They are known for songs such as "Truth",[3] "Japanese Soul Brothers",[4] "Takarajima",[5] and "Omens of Love",[6] among others. During the first years simply The SQUARE was printed on the frontsides of their albums.[7] After the renaming of the band to T-Square the imprint changed to T-SQUARE (all in Capital letters) and their typical logo became a capital letter T printed over a red square.[8] The logo has got modified several times, reflecting the changing band names such as T-Square alpha (where an α sign got added to the logo[9]), T-Square plus (where the text "plus" was added centered next to the T in smaller letters[10]).[11] "Truth" was used as the theme for Fuji Television's Formula One coverage from 1987 to 1998 and starting in 2012.[12][13] Special arrangements of this song were used as the theme for Japan's F1 2001 to 2006.[note 1] The band has won, all told, 12 Japan Gold Disc Awards. In the 80s, "SPORTS",[17] "Truth",[18] "Yes, No",[19] and even their "F1 Grand Prix" compilation album won Gold Discs in the Jazz-Fusion category.[20] In the 90s, "Natural",[21] "Impressive",[22] "Human",[23] "Natsu no Wakusei",[24] "B.C. A.D."[25] and "Gravity" all won Gold Discs.[26] After more than two decades without Gold Discs, they've recently won back-to-back for 2021's "FLY! FLY! FLY!"[27] and 2022's "WISH" as part of the Instrumental Album of the Year category. ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
T-Square / Love's Still Burnin' #bassguitar #funkybassplayer
"Mamma Mia" is a song by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled ABBA (1975). The song was released in September 1975 as its sixth single. It tells the story of the narrator's on-again, off-again relationship with a lover who is repeatedly unfaithful to her. The song's name is derived from Italian and literally translates as "my mother", but is used as an interjection in situations of surprise, anguish, or excitement. The song was ABBA's first number one in the UK since "Waterloo" in 1974. The distinctive sound at the start of the song is the marimba.[2] According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its "tick tock" rhythm was perfect for the track.[3] "Mamma Mia" was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. It was one of four songs from the album to have a music video made to promote the album. Initially, however, "Mamma Mia" was never intended for release as a single.[2] Around this time, many artists were recording ABBA songs (such as "Honey, Honey" and "Bang a Boomerang"). ABBA offered "Mamma Mia" to British pop group Brotherhood of Man, who turned it down.[4] "I Do, I Do, I Do, I Do, I Do" topped the Australian charts for three weeks; however, the promo clip for "Mamma Mia" proved the more popular after repeat screenings on Australian television, notably on the show Countdown.[5] ABBA's Australian record company, RCA, asked that "Mamma Mia" be released as a single but Polar Music refused, preferring them to release "SOS" first. However, Stig Anderson agreed to this; "Mamma Mia" was released in Australia in August 1975, where it spent 10 weeks at number one.[2] Cash Box said the single was "an example of [ABBA's] excellent musical taste," stating that the "tune is upbeat, with characteristically varied textures."[6] After this success in Australia, Epic Records in the United Kingdom took notice of ABBA for the first time since their Eurovision Song Contest winner "Waterloo". From then on, Epic began to heavily promote ABBA's singles with the immediate result of "SOS" reaching the Top 10 in the British market, their first hit since "Waterloo". "Mamma Mia" soon followed, reaching number one in the UK Singles Chart in January 1976, the second of ABBA's 18 consecutive Top 10 singles there.[2] Record World said that "the reason [the song is a worldwide smash] should be self-explanatory after just one listen."[7] The B-side for the Australian release of "Mamma Mia" was "Hey, Hey Helen". In most other countries the B-side was the instrumental "Intermezzo Number 1". ABBA's British label Epic selected "Tropical Loveland" as the B-side for the UK release, believing another vocal track, especially one showcasing ABBA in a different musical style, would better promote the parent album.[citation needed] In 2017, Billboard ranked "Mamma Mia" number seven on their list of the 15 greatest ABBA songs,[8] and in 2021, Rolling Stone ranked the song number five on their list of the 25 greatest ABBA songs.[9] As of September 2021, it is ABBA's seventh-biggest song in the UK with 860,000 chart sales (pure sales and digital streams). ---------- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Twitter : @d6Bass_is_Here Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
ABBA / Mamma Mia
Roberta Cleopatra Flack (born February 10, 1937)[2][3] is a retired American singer who topped the Billboard charts with the No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", and "Feel Like Makin' Love". Flack influenced the subgenre of contemporary R&B called quiet storm, and interpreted songs by songwriters such as Leonard Cohen and members of the Beatles.[4] Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: "The First Time Ever I Saw Your Face" won in 1973 and "Killing Me Softly with His Song" won in 1974. ---- Please LIKE, SUBSCRIBE, and HIT THAT BELL! Bluesky : @d6bass.com Instagram : @d6bass Facebook : @d6bass TikTok : @D6Bass6 Web : d6bass.com Find all of my details at linktr.ee/d6bass #bass #bassplayer #funk #bassguitar #bassplayersofinstagram #bassplayersunited #bassist #dingwallguitars #twohandedtapping #bassguitar #bassguitarlessonsforbeginners #bassguitarsolo #bassguitarcover #bassguitarsongs #bassguitartuning #bassguitarlessons #bassguitarmusic #bassguitarchords #bassguitarforbeginners #bassguitarriffs #bassguitartabs #bassguitartuner #bassguitarinstrumental #bassguitarsound #bassguitarand #bassguitaranddrums #bassguitaranddrumsjam #bassguitaranddrumsinstrumental #bassplayermagazine #bassplayeronline #bassplayersolo #bassplayerplaysguitar #funk #funkytown #funkbros #funkflex #funky #funkmusic #funksoulbrother #HerbieHancock
Roberta Flack / Tryin' Times #uprightbass
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